IKNOWHY

Swingbeat  at it's finest - this pattern uses the  standard  snare 
and  claps on beats 2 and 4 of the bar while the bass  drum  NEVER 
sees  beat  1  of the bar (with the exception  of  the  break).  A 
sixteenth tambourine pattern accented on the 1st beat of every bar 
adds the swing element to this pattern as it is quantized or  time 
corrected  to  somewhere  in-between a straight  sixteenth  and  a 
sixteenth  triplet.  The open high conga is playing only from  the 
up-beat sixteenth before bar three and out again before beat  four 
of  the bar and is quantized or time corrected to the same  values 
used for the tambourine.

