16TSWING

Just when you thought it was safe to move out of triplets and into 
something  else,  this pattern was a must to include amongst  this 
collection  - if only for the artistry displayed in  the  footwork 
and  left  hand playing snare.  The swingy conga pattern  is  just 
icing  but  the  combination is awesome.  You'll  always  find  an 
accented snare on beats 2 and 4. The bass drum only sees a quarter 
beat  at  the beginning of a bar - for the rest of the  bar  -  it 
syncopates  in  triplet sixteenths.  The hi hat work has  alot  in 
common  with what's going on in the bass drum phrase  missing  the 
second triplet 16 per quarter note.

